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Search Results

Found 56 product(s) for ENTERTAINMENT PLAYS (1-15 of 56)

ENTERTAINMENT PLAYS
A Raisin in the Sun
A Raisin in the Sun
Hansberry, Lorraine

When it was first produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award for that season and hailed as a watershed in American drama. A pioneering work by an African-American playwright, the play was a radically new representation of black life. "A play that changed American theater forever

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A Raisin in the Sun and the Sign in Sidney Brustein's Window
A Raisin in the Sun and the Sign in Sidney Brustein's Window
Hansberry, Lorraine
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A Raisin in the Sun: The Unfilmed Original Screenplay
A Raisin in the Sun: The Unfilmed Original Screenplay
Hansberry, Lorraine
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Acting Gay: Male Homosexuality in Modern Drama
Acting Gay: Male Homosexuality in Modern Drama
Clum, John C.
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Amen Corner
Amen Corner
Contributor(s): Baldwin, James A (Author)

One of James Baldwin's two plays produced on Broadway, The Amen Corner pulses with the music and energy of America's black church and bristles with the pain and anger of racial injustice.

Price: $19.07
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Angelique
Angelique
Gale, Lorena
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August Wilson and the African-American Odyssey
August Wilson and the African-American Odyssey
Pereira, Kim
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Autobiography of a Homegirl
Autobiography of a Homegirl
Heyliger, Yvette
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Baby Mama Drama: I Can't Believe My Wife Left My Son and Me for Another
Baby Mama Drama: I Can't Believe My Wife Left My Son and Me for Another
Bailey, Russell Lynn
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Blues for Mister Charlie: A Play
Blues for Mister Charlie: A Play
From the Publisher:In a small Southern town, a white man murders a black man, then throws his body in the weeds. With this act of violence—which is loosely based on the notorious 1955 killing of Emmett Till—James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a "boy" like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast.In his award-winning play, Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated—and in which even a killer receives his share of compassion.
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Contemporary African American Female Playwrights: An Annotated Bibliography
Contemporary African American Female Playwrights: An Annotated Bibliography
Williams, Dana A.

Though Lorraine Hansberry's A Raisin in the Sun (1959) raised the world's awareness of the abilities of African American female playwrights, both the theater and the literary world often have neglected to include contemporary African American women dramatists within the circle of production, publication, and criticism. This reference book sheds light on the achievement of these playwrights and directs researchers to studies of their works. The first section includes a selected listing of anthologies that contain one or more plays by an African American female dramatist who has published at least one play since 1959. The second provides entries for reference works and for general and scholarly criticism about the dramatists and their plays. The third gives a selected listing of individual dramatists' published plays, with summaries of each drama; the dramatists' primary works related to drama; and secondary works that treat the dramatists and their plays. Entries are accompanied by concise yet informative annotations. The volume closes with a selected listing of periodicals that typically publish criticism of African American female playwrights, brief biographical sketches of the dramatists, and extensive indexes.

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Contemporary Plays by Women of Color
Contemporary Plays by Women of Color
Perkins, Kathy
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Coolness and Courage: A Buffalo Soldier Play
Coolness and Courage: A Buffalo Soldier Play
Kroenung, Terry
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Dutchman and the Slave
Dutchman and the Slave
Contributor(s): Barbaka, Amiri (Author), Baraka, Imamu Amiri (Author), Jones, LeRoi (Author)

Centered squarely on the Negro-white conflict, both "Dutchman "and "The Slave "are literally shocking plays--in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre."Dutchman "opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the "Village Voice's "Obie Award. "The Slave, "which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

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Fences
Fences
Wilson, August
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